Showing posts with label 1970s. Show all posts
Showing posts with label 1970s. Show all posts

9/27/2012

Return of the Jedi Sketchbook Review

Return of the Jedi Sketchbook
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This is a simple book filled with sketches of beings, places and objects on Tatooine, Endor, The Death Star and a small section on Rebel Spacecraft. The cover is in full color but the sketches and text are black and white, holding true to what a sketchbook is. It shows the evolution of the designs and offers a little bit of text. The Contributors are Joe Johnston and Nilo Rodis-Jamero with extra material by Ralph McQuarrie and Norman Reynolds. This is for the collector and may not serve any purpose to the passing fan, especially since it is out of print. I have enjoyed this for years.

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8/28/2012

The New Hollywood: From Bonnie and Clyde to Star Wars (Short Cuts) Review

The New Hollywood: From Bonnie and Clyde to Star Wars (Short Cuts)
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This book has the smallest print of any book I own. Plus the font is sans serif. Very difficult to read. I'm not sure if I like this book or not--I can hardly see it. And yes, I'm wearing my glasses.

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On December 8, 1967Time magazine putBonnie and Clyde on its cover and announced, "The New Cinema: Violence ... Sex ... Art." The following decade has long been celebrated as a golden age in American film history. In this innovative study, Peter Krämer offers a systematic discussion of the biggest hits of the period (includingThe Graduate [1967],The Exorcist [1973] andJaws [1975]). He relates the distinctive features of these hits to changes in the film industry, in its audiences and in American society at large. (2/2006)

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3/19/2012

The Making of Star Wars: Revenge of the Sith (Star Wars (Del Rey)) Review

The Making of Star Wars: Revenge of the Sith (Star Wars (Del Rey))
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As thrilling as the movies themselves, these accounts of making them add to any hardcore "Star Wars" fan's enjoyment. Mishaps, inside jokes, the pressure of deadlines, meticulous attention to detail, the intricate choreography of the space battles and duels, and how those fabulous special effects are done are almost as exciting as the finished product. The demands placed upon the actors, who must "interact" convincingly with characters and weaponry that isn't even there (added later by special effects artists and computer animators) is astounding. The reader gains a new appreciation for the genius of George Lucas and crew...as well as a hope that this won't REALLY be the last of this magnificent saga. I also recommend the excellent "Once Upon a Galaxy" which is the making of "The Empire Strikes Back."

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This is it–the climax of the greatest science fiction movie epic of all time, and Star Wars fans can venture behind the scenes for all the fascinating details. From the first story discussions to the final stages of post production, The Making of Star Wars: Revenge of the Sith is an exclusive, unprecedented look at the crafting of the most anticipated and perhaps the most important Star Wars film ever.Packed with hundreds of never-before-seen photos and interviews with the visual-effects teams, cast, and crew–including writer/director George Lucas and producer Rick McCallum–this outstanding volume offers a rare insider's look at the complete creative process. Granted unprecedented access to all those involved at every stage of the film, author and Lucasfilm senior editor J. W. Rinzler captures in riveting detail the intense drama and cliffhangers that occurred as production worked day and night for three years to bring their monumental undertaking to conclusion. Readers will uncover• details on how the art and animatics departments teamed up with ILM to create the spectacular opening sequence, perhaps the greatest Star Wars space battle ever produced • revelations on the genesis of archvillain General Grievous within the Episode III art department• accounts of how George Lucas and Rick McCallum reached critical decisions in often pressure-laden situations• exclusive interviews with Hayden Christensen and Ewan McGregor on how they prepared for their thrilling lightsaber duel as Anakin and Obi-Wan• An eyewitness account of the reappearance of Darth Vader on the set in Sydney, AustraliaFinally, there's the film editing–Lucas's favorite part of the moviemaking process. This portrait of the legendary director captures the down-to-the-wire tension encountered in getting to the final cut. Fueled by his imagination and his beginnings as a documentary filmmaker, Lucas makes films the way some painters create canvases, building layer upon layer in each frame of the film. And this book takes the reader along for the ride.

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9/11/2011

The Making of Star Wars (TM): The Definitive Story Behind the Original Film Review

The Making of Star Wars (TM): The Definitive Story Behind the Original Film
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The Making of Star Wars: The Definitive Story Behind the Original Film (Star Wars)
I was four years old when the original "Star Wars" was released, and like so many kids of that generation, that film and its two sequels defined an enormous part of my childhood. Even though I didn't know it at the time, it introduced me to the "best bits" of classical mythology, while being a visual catalyst for my imagination (and years of subsequent role-play, particularly in Upstate New York, where re-enacting ice planet Hoth after "Empire" came out was all too easy...).
As I grew older (I hesitate to use the phrase "grew up," as I'm not sure it's happened yet), I came to appreciate more than just the adventure and dynamic visuals that "Star Wars" represented; it was my "gateway drug" into wanting to learn more about how movies were made. I remember all of the TV specials of that era that pulled back the curtain on the filmmaking process, particularly with regard to the original "Star Wars" trilogy, and I couldn't get enough information. That hunger became the same kind of obsession that's typically associated with "Star Wars" fans, and I absorbed every scrap of detail I could find, from Ralph McQuarrie's concept art, to model photos, to script pages, and even before the Internet made it only a matter of a few clicks to access such information, there was a wealth of it, when it came to "Star Wars."
Fast forward to 2007; "Star Wars" is 30 years old, a whole separate trilogy has come and gone, and my own children are budding "Star Wars" fans for their own reasons. I figured I knew pretty much all there was to know about this film. I darn well should have, for as much time as I had spent (and continue to spend) over the years actively seeking out new details about it. Then came this book; I didn't know anything.
This is dense, dense reading, covering every minute detail about every aspect of production of the original "Star Wars," from drafting the script, to getting it taken seriously by Hollywood, to assembling the team that would revolutionize filmmaking as we came to know it. This is a wonderful thing. I find myself poring over every word, every image, every caption and footnote, just as I did as a child who was learning about film for the first time. It is an amazing tribute, an insanely detailed reference volume, and most incredible of all, a unique representation of a film that has been covered in so many ways by so many authors, that finding anything new to talk about seemed impossible.
The aspect of this book I personally find most exciting is that all of the interviews that comprise it are taken from the period immediately surrounding the production and release of the original film. There is none of the revisionist hindsight pertaining to the film that has come about as a result of the films that came after; every word spoken by the people involved is "of the moment," and as such, is refreshingly candid about what was going on while the film was in the throes of its conception and execution.
The hardcover volume is worth the extra cost, because of its additional supplemental material, not found in the softcover edition. There are 45 pages of storyboard reproductions, as well as Lucas' first-ever references to the larger world beyond what was shown in the original film, in the form of interview excerpts taken in 1977, which involve Lucas describing character and environmental background information. As author J.W. Rinzler explains in the opening to the section, "Many of these ideas...[have since been] modified to a greater or lesser degree. They are presented here...[as] an idea of how he first began [the process of expanding the "Star Wars" universe]." Given the amount of tweaking that the backstory has undergone in the decades following "Star Wars," the inclusion of Lucas' first impressions of it in this volume are incredibly valuable to anyone who, like me, has wondered if the second trilogy of films was truly borne from his original ideas, or was more a product of his later experiences.
This book is exactly what its title promises: the definitive history behind the original film. And for someone who has spent most of his life feeling like there was nothing new under the suns (not a typo) when it came to the story of how "Star Wars" was made, that's saying something.

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More than thirty years ago, filmmaker George Lucas realized a longtime dream, creating a swashbuckling sf saga inspired by vintage Flash Gordon serials, classic American westerns, the epic cinema of Japanese auteur Akira Kurosawa, and mythological heroes. Its original title: The Star Wars. The rest is history–and how it was made is a story as entertaining and exciting as the movie that has enthralled millions for the past three decades.Using his unprecedented access to the Lucasfilm Archives and its trove of never-before-published "lost" interviews, photos, production notes, factoids, and anecdotes, Star Wars scholar J. W. Rinzler hurtles readers back in time for an unprecedented behind-the-scenes look at the nearly decade-long quest of George Lucas and his key collaborators to make the "little" movie that became a phenomenon. For the first time, it's all here:• the evolution of the now-classic story and characters–including "Annikin Starkiller" and "a huge green-skinned monster with no nose and large gills" named Han Solo• excerpts from George Lucas's numerous, ever-morphing script drafts• the birth of Industrial Light & Magic, the special-effects company that revolutionized Hollywood filmmaking• the grueling, nearly catastrophic location shoot in Tunisia and the following breakneck dash at Elstree Studios in London• the intensive auditions that won the cast members their roles–and made them legends• the who's who of young 1970s film rebels who pitched in to help–including Francis Ford Coppola, Steven Spielberg, and Brian DePalmaBut perhaps most exciting, and rarest of all, are the first interviews conducted before and during production and immediately after the release of Star Wars–in which George Lucas, the film's stars, composer John Williams, effects masters Dennis Muren, Richard Edlund, and John Dykstra, Phil Tippett, Rick Baker, legendary production designer John Barry, and a host of others share their fascinating tales from the trenches and candid opinions of the movie that would ultimately change their lives.No matter where you stand in the spectrum of this thirty-year phenomenon, The Making of Star Wars stands as a crucial document–rich in fascination and revelation–of a genuine cinematic and cultural touchstone.

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